
Danny Boyle (Radcliffe, England, 68) sits down opposite the journalist and bursts out laughing. The English filmmaker is good at promotion, and the conversation begins by going back to 1994, at the San Sebastián Film Festival presentation of his debut cinematic release, Shallow Grave, a dark comedy. “It was before everything, what a time,” the director chuckles. And by “everything” he means Trainspotting, 28 Days Later, an Oscar for Slumdog Millionaire, two further nominations for 127 Hours, the commercial success of The Beach or Sunshine, to much less heralded projects, to his departure from the 007 universe when he was preparing a James Bond film, to his anger with David Bowie when he didn’t give him the rights to his songs for a musical, or to his brilliant miniseries Pistols, about the legendary punk band.
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